Instructor:
Randall Sadler |
Office: CCIT 236, cubicle M
(626-9093) |
Office hours: Tues. and
Thurs.�before class
(Call or e-mail for an
appointment) |
Drop off location for papers &
messages:
English office, Modern Languages
445 |
E-mail: [email protected]
To leave phone message: 621-1836
(Engl. office) |
Course time and location |
Tu/Th
11:00-12:15 |
Tuesdays: Harvill 413
Thursdays: Modern Languages 412 |
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Required Texts:
Sadler, Randall, Amanda Brobbel, and Leta McGaffey-Sharp, eds. A
Student�s Guide to First-Year Composition. 23rd ed.
Boston:
Pearson Custom Publishing, 2002.
Hacker, Diana. Rules for Writers. 4th
ed. Boston: Bedford/St. Martin's,
2000.
Selzer, Jack. Conversations: Readings for
Writing. 5th ed. New York:
Pearson Education, 2003.
A good
college dictionary such as Longman or Webster's.
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Other
required materials:
�
Several regular floppy discs formatted for PC computers
�
A sturdy compact folder to be used for turning in portfolios�this
should be a two-pocket folder�do not use a three ring binder.
�
Copies of your work as needed for class and group discussion
�
A u.arizona.edu e-mail account
Overview of the Course:
The purpose of this course is to improve your ability
to write in a clear and effective manner for the purpose of communication. This
skill will be crucial in your success as a student at the University of Arizona,
no matter what your eventual field of study. You will be asked to read,
discuss, and write about a number of argumentative essays in the anthology
Conversations.
You will choose a subject early in the course that
may�or may not�form the basis for your writings throughout the semester. The
subject you choose should be, in some form, debatable, as it may form the basis
for the major essays in the course: A rhetorical analysis essay, a persuasive
essay, and a cultural reflection essay.
Other writing assignments will include in-class
writing, an initial writing evaluation, and a final exam. In addition, you are
required to keep a writer�s journal, which will usually involve readings from
Conversations.
NOTE: This is a mixed section (containing native
and nonnative speakers of English). This should be a very positive experience
for all of you�make use of the incredible diversity represented in this class
and learn about each other! Let me be frank�if you have no interest in
other cultures and/or have a narrow mindset about people who are different, you
should switch to a different section!
Evaluation:
To successfully
complete this course you must turn in all assignments on time, come to class
prepared to discuss the assigned materials, attend class and conferences, and
participate in the in-class workshops and on-line discussions. If you do not
submit all the major assignments, it is highly unlikely you will receive
a passing grade. When the final drafts of papers are turned in, they must be
accompanied by all of the following materials in a two-pocket folder:
-
Final and rough drafts on
disc
-
Final draft on paper (turn
in 2 copies-one will be returned & the other kept for my records)
-
Rough draft(s) with my
comments (on paper)
-
Associated journal entries
-
Peer review feedback
-
Copies of research materials
(in particular, sections of work quoted)
Late papers
will be lowered one letter grade for each day of the week (Monday -
Sunday) that they are late. If you are unable to make it to class on the due
date, turn in your essay by the due date and time at the English office�ML
445�or email it to me as an attachment and then give me a hard copy as
soon as possible. Evaluation of your essay will consider content, organization,
expression, mechanics, development of ideas, and maturity of thought. Essays
are due at the beginning of the class period� essays turned in at the
end of the class period will be considered late.
Writing Assignments:
Assignment |
Points |
Due
Dates (subject to change) |
Rhetorical Analysis Essay
|
�
Rough draft |
Required |
Th. Feb. 13th, 11AM |
�
Final draft |
250 pts. |
Tu. Feb. 25th, 11 AM |
Persuasive Essay
|
�
Rough draft |
Required |
Th. Mar. 27th, 11 AM |
�
Final draft |
350 pts. |
Tu. Apr. 8th, 11 AM |
Cultural Reflection Essay
|
�
Final draft |
200 pts. |
Th. Apr. 24th, 11 AM |
Other Writing Assignments
|
Final Exam Essay
(room to be announced) |
100 pts. |
Fri. May 9th, 8 AM |
Journals and other writing assignments |
100 pts. |
Throughout the semester |
Total points possible |
1000 points |
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Under this system, the
attainment of an "A" grade requires at least 900 points; a "B" requires 800; a
"C" 700; and a "D" requires at least 600 points. The University of Arizona does
not give "+" or "-" final grades, so an 89% is a "B" grade. I round up grades
of .5% or higher, so an 89.46% is considered an 89.5%. I would round this up to
90%, which is an "A." 89.44%, however, would round to 89.4%�still a "B."
Questions Regarding Grades:
It is natural that students will have
questions regarding their grades on the essays over the course of the semester.
I am always happy to discuss your grade with you, but I have several
requirements regarding such discussions:
-
You must wait at least one class period before such a
discussion.
-
You must have read all of my comments thoroughly.
-
You must be ready to ask me intelligent questions
regarding your paper and the grade for that paper (comments such as "But I
really worked hard" do not make strong arguments).
-
If you are hoping to convince me to give you a higher
grade, you must, before talking with me, write a persuasive argument
as to why your grade should be changed and bring it with you.
Do not wait until the end of the semester to ask me
about an earlier grade (because you need just �five more points to get an �A��
grade. The time to ask these questions is soon after you get the paper back.
Essay Format:
All essays must
utilize the Modern Languages Association (MLA) manuscript format and be
documented according to the MLA style, which will be discussed further in class
and is detailed in Diana Hacker's Rules for Writers. All essays must be
typed and double-spaced (12-point type, 1-inch margins). The use of a
separate title page, in following with MLA format, is optional (but
recommended). Do not skip additional lines between paragraphs and
remember to number your pages. Finally, please staple your paper before turning
it in. Remember- you must keep copies of each draft and the final draft on
disc, as you must turn in these on disc as well. So, when you start on a second
draft on your computer give it a different name so that it is not copied over
(e.g. "The Journey, draft one"; "The Journey, draft two").
Course Policies:
-
Attendance: See �official course policies
statement�
-
Tardiness: While it is acceptable to be
occasionally late, habitual tardiness or cases of extreme
tardiness (more than 30 minutes late) will result in an absence. Being
late is rude�don't do it.
-
Cell Phones: Turn them off or put them on
silent mode. ABSOLUTELY do not actually make or answer a call on
your cell phone while in class.
-
Classroom Interaction: Come to class prepared,
cooperate with your classmates in small-group activities, cooperate with me
by coming to class prepared to ask questions, both in-class and during
conferences, and use all the components of this course to expand your skills
and abilities in writing. Above all, RESPECT YOUR CLASSMATES.
-
PLAGIARISM: DO NOT DO IT! I have no
desire to give out "E" grades in this course (and
rarely do so), but one CERTAIN way to have this happen is to
plagiarize. I realize that it is pitifully easy to find papers on the
Internet, but keep in mind that it is pitifully easy for me to track them
down as well.
The Writing Center:
The Writing Center provides help for ANY
students who wish it. This is not simply a place to go if you feel you are a
poor writer, although it would be very helpful for these students too. The
Center is a great place for students to get one-on-one help with your paper- use
it! The Writing Center is located in the Bear Down Gym and may be reached by
phone at 621-3182.
Official
Course Policies Statement
Approved by CPAC on 10/8/01
A Student's
Guide to First-Year Composition: All First-Year Composition students
are required to purchase the Guide. The Guide contains Composition
Program policies, course descriptions, sample assignments, model essays, and
information about grading and responding to writing.
Introduction to
Research: All First-Year Composition students are required to learn
how to do documented research. For more on research, see the Student's Guide.
Attendance:
Attendance is mandatory. Composition courses are workshop classes which included
in-class writing, peer group work and conferences. Students should not be late.
If you miss class, contact your instructor as soon as possible to discuss your
absence. Therefore, students should not be late. Any in class work missed as a
result of tardiness is the student's responsibility to make up. If you miss
class, contact your instructor as soon as possible to discuss the reasons for
your absence. Students who miss more than three classes of a MWF course or more
than two of a TTH course may be dropped within the first 8 weeks with a W or
thereafter receive an E.
Requirements for Writing Assignments:
-
In-class
and out-of-class writing will be assigned throughout the course. Students
not in class when writing is assigned are still responsible for completion
of the assignment when due.
-
Late work
will not be accepted without penalty unless students arrange for an
extension before the due date.
-
Students
are required to keep copies of all drafts and major assignments until after
the end of the semester.
-
Drafts
must be turned in with all essays. Drafts should show significant changes in
purpose, audience, organization, or evidence.
-
Final
copies should be typed and double-spaced with numbered pages and a title.
Conferences:
Individual or small group conferences with the teacher will be
scheduled each semester. Students should come to conferences prepared to discuss
their work. A missed conference counts as an absence. See Student's Guide
for more details.
Grades:
The Student's Guide explains grading policies, methods of responding
to drafts and final copies, and the standards of assessment of the Composition
Program. Teacher's comments will consider the following aspects of writing, in
the context of the particular assignment: purpose, audience, content,
expression, organization, development of ideas, mechanics, and maturity of
thought. Students cannot receive a passing grade in First-Year Composition
unless they have submitted drafts and final versions for all major assignments
and the final exam. For guidelines on discussing grades see the Student's
Guide.
Academic
Dishonesty and Plagiarism: All UA students are responsible for
upholding the Code of Academic Integrity, available through the office of the
Dean of Students and online through UA Info. Read carefully the summary of the
Code that appears in the Student's Guide.
Class Conduct:
All UA students are responsible for upholding the Student Code of
Conduct, which can be read online through UA Info.
Disabilities
Accommodations: Students with disabilities who require reasonable
accommodations to fully participate in course activities or meet course
requirements must register with the Disability Resource Center. If you qualify
for services through DRC, bring your letter of accommodations to your instructor
as soon as possible.
Syllabus:
Each instructor will distribute a course syllabus during the first week of
class. Instructors will review the course syllabus and policies with students.
Students should talk with the instructor if they anticipate a need for
alternative assignments or readings.
Note that the journal assignments should be
finished and the readings should be read for the day on which they are listed!
For the sake of
brevity in the syllabus the following items are abbreviated as follows:
�
Indicates
a classroom activity or something you normally don�t need to prepare
for. |
�
Usually
indicates something you must prepare for, such as a journal assignment. |
v
Usually
indicates something really big you must do, such as a draft of a paper. |
Week 1
|
Th
Jan. 16
ML 412 |
�
Super brief
intro of the course�as I�m not actually here!
�
H: Syllabus &
daily schedule (read this over before class on Tuesday)
�
H: Personal
Information Sheet (bring to class on Tuesday) |
Week 2
|
Mon Jan 20 |
�
Martin
Luther King, Jr. Day�No classes for university |
Tu.
Jan. 21
Harv 413 |
�
Getting to know
you activity
�
Begin
Discussion of Rhetorical Analysis
�
SG: Skim pp.
33-46, �Overview of English 102/108� (Read this for today�s class)
�
SG: Read pp.
197-207, �Analysis of a Rhetorical Situation� |
Th.
Jan. 23
ML 412
NYC |
�
Further
discussion of Rhetorical Analysis- �What are the appeals and are they
really appealing?� or "Is the Rhetorical Triangle really located near
the Bermuda Triangle?"
�
H: The
Rhetorical Triangle
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H: Appeals and
Strategies
�
J1: Bring an
advertisement from a newspaper or magazine that you, for whatever
reason, find to be especially appealing, interesting, or repulsive.
Discuss why you find it to be so, making sure to use some of your
newfound knowledge about rhetorical analysis. Write at least � page
double-spaced. |
Week 3
|
Tu.
Jan. 28
Harv 413 |
�
The Rhetorical
Analysis Paper- what is it all about?
�
Continue
discussion of Rhetorical Analysis
�
Small-group
work connected to Journal 2 (so make sure that you do it!)
�
In-class
discussion of �Death� readings�make sure you read them well!
�
H: The
Rhetorical Analysis Paper
�
C: Read pp.
736-741 �Death and Justice�
�
C: Read pp.
741-748 �This is Your Death�
�
J2: Pick at
least one of the Appeals we have talked about and discuss how one
(or both) of these authors use that Appeal in their essay�use the
information in the �Analysis of a Rhetorical Situation� chapter and on
the handouts you received last week. Be ready to give specific examples
in class. |
Th.
Jan. 30
ML 412 |
�
Discussion of
the model essay from the Student�s Guide and of the article that
prompted it.
�
SG: Read
carefully pp. 224-229, �Sample Assignment #3� and �Sample Essay #3�
�
H: �The
Military-Nintendo Complex��read quickly
�
J3: Now that
you have read both the model essay and the article that prompted it, do
you agree with Williams� rhetorical analysis? Give at least three other
strategies that you believe are important in the article. |
Week 4
|
Tu.
Feb. 4
Harv 413 |
�
Discussion of
another model essay and the article that prompted it.
�
SG: Read
carefully pp. 220-224, �Sample Assignment #2� and �Sample Essay #2�
�
H: �Searching
for Life on Other Planets��read quickly
�
J4: Some
people like this sample essay �Maybe� and some disagree with it. What
is your opinion? Is it an accurate rhetorical analysis? Discuss. |
Th.
Feb. 6
ML 412 |
�
In-class
discussion of the Cloning readings�make sure you read them well!
�
C: Read pp.
793-795, �Of (Headless) Mice...And Men�
�
C: Read pp.
803-807, �The Moral Clone�
�
J5: Write a
mini Rhetorical Analysis of one of these articles, carefully examining
the article for all three appeals. Your �paper� can be in the form of
an outline or bulleted points. The important thing is that you are
ready to defend the validity of your analysis. Think of this as
practice for your paper. |
Week 5
|
Tu.
Feb. 11
Harv 413 |
�
Workshop on
integrating quotations into your paper: issues of quote integration and
citation
�
J6: Bring
whatever you have for your paper at this point- at least a rough
outline, as well as a number of quotes that you feel would be useful.
Also, bring at least one paragraph that demonstrates the PIE struture. |
Th.
Feb. 13
ML 412 |
v
Rough
Drafts of Rhetorical Analysis papers due at beginning of class
�
In-class
workshops on Rhetorical Analysis papers
�
J7: What
should a reader really watch for to give you the best feedback possible
on your paper? Really think about this and be honest- saying �check my
grammar� is not a useful answer! |
Week 6
|
Tu.
Feb. 18
Harv 413 |
�
Conferences to
discuss rough drafts of Rhetorical Analysis Essay- meet in CCIT room 236
during time you signed up for- no regular class meeting. |
Th.
Feb 20
ML 412 |
�
Conferences to
discuss rough drafts of Rhetorical Analysis Essay- meet in CCIT room 236
during time you signed up for- no regular class meeting.
|
Week 7
|
Tu.
Feb. 25
Harv 413 |
�
Final
Draft of Rhetorical Analysis Essay due.
�
Begin
discussion of the Persuasive Unit
�
How important
is your audience?
�
In-class
activity, �Colony Ship Alpha Zebra 2934�
�
H: The
Persuasive Essay and the Annotated Bibliography
�
SG: Read pp.
287-292, "The Persuasive Essay" |
Daily
Schedule: Parts Two and Three
|
Week 7
|
Tu.
Feb. 25
Harv 413 |
�
Final
Draft of Rhetorical Analysis Essay due.
�
Begin
discussion of the Persuasive Unit
�
How important
is your audience?
�
In-class
activity, �Colony Ship Alpha Zebra 2934�
�
H: The
Persuasive Essay, The Proposal, and the Annotated Bibliography
�
SG: Read pp.
287-292, "The Persuasive Essay" |
Th.
Feb. 27
ML 412 |
�
I�m out of
town, so we�ll have
no class
meeting
today!!!
�
Spend time
thinking about possible topics for your persuasive essay! Please note
that you have two journals due for Tuesday as well as two readings you
need to do.
�
Also note that
a rough draft of your proposal and annotated bibliography is due
Thursday of next week�so you could spend some of your time in the
library! |
Week 8
|
Tu.
March 4
Harv 413 |
�
Topic Workshop
for the Persuasive Paper
�
Discussion of
the readings: What is the connection between Rhetorical Analysis and
your Persuasive Paper?
�
C: Read pp.
757-762, "Should Drugs be Legalized?" (position paper)
�
SG: Read pp.
328-334, �The Failing War on Drugs: An Economic Approach� (proposal
paper)
�
J8, part I:
Which of these essays do you find more convincing? Why? Please note, I
asked which is more convincing�not which one you agree with!
�
J8, part II:
Please bring at least two possible topics for your Persuasive Essay and
briefly discuss why each one would be an appropriate topic. |
Th.
March 6
ML 412 |
�
Workshops on
Proposal and Annotated Bibliography�get feedback from others on your
ideas and, I hope, suggestions for additions and changes you might make.
�
Audience
Workshop�choosing the correct audience for your paper will be crucial!
�
Checkup on MLA
Works Cited
�
SG: Read pp.
300-303, �Research Proposal� and �Annotated Bibliography�
�
J9: Bring a
rough draft of your proposal (on paper and on disc) and at
least one annotated reference. |
Week 9
|
Tu.
March 11
Harv 413 |
v
Proposal
and Annotated Bibliography due at beginning of class.
�
Further
discussion of the 3 possible types of papers
�
Decide together
what you would like to discuss in class on Tuesday.
�
SG: Read pp.
307-313, �Nudity: Art or Pornography� (position paper)
�
C: Read pp.
515-522, �Majority Report� (position/proposal paper) and �Minority
Report� (refutation paper)
�
J10: In-class
writing done at the start of the class |
Th.
March 13
ML 412 |
�
How should your
paper be structured? In-class discussion of the introduction, body, and
conclusion of your paper.
�
Grammar
discussion and in-class exercises
�
J11: Bring an
outline of your paper. |
Week
10 |
Tu. March 18 |
�
Spring Break from
March 15-23 |
Th. March 20 |
�
Spring Break! |
Week
11 |
Tu.
March 25 |
�
Research Day at
the library and/or Work on your Rough Draft Day�spend it well! If you
have already done all the research you need and have a beautiful rough
draft, this is your chance to relax! |
Th.
March 27
ML 412 |
�
Begin in-class
peer review process for rough drafts
�
Sign-up for
conferences
v
Rough
draft of Persuasive essay due at the beginning of class. Bring five
copies of your rough draft |
Week
12 |
Tu.
April 1 |
�
Conferences to discuss rough drafts of Persuasive Essay- meet in CCIT
room 236 during the time you signed up for�no regular class meeting.
|
Th.
April 3 |
�
Conferences to discuss rough drafts of Persuasive Essay- meet in CCIT
room 236 during the time you signed up for�no regular class meeting. |
Week
13 |
Tu.
April 8
Harv 413 |
v
Final
Draft of Persuasive Essay due at the beginning of class
�
Begin
discussion of the Cultural Reflection Essay
�
Selection of
partner for working on Cultural Reflection Essay
�
H: The
Cultural Reflection Essay |
Th.
April 10
ML 412 |
�
Online
workshops on your Cultural Reflection Essays. We will discuss a number
of topics in a MOO so you have easy access to the transcripts.
�
SG: Read pp.
231-233, �Analysis of Personal Context� |
Week
14 |
Tu. April
15
Harv 413 |
�
Discussion of
Sample Essay and its very important issue
�
SG: Read pp.
235-243, �Sample Assignment #1� and �Sample Essay #1�
�
J12: Give your
reaction to this essay. Did you like it? How would this essay have
been different if it had been written by someone from Saudi Arabia or
Japan? |
Th.
April 17
ML 412 |
�
Discussion of
Sample Essay
�
SG: Read pp.
255-258, �Sample Essay #4
�
J13: Bring, at
the very least, some typed down ideas for your paper and be ready to
share them with the rest of the class. |
Week
15 |
Tu. April
22
Harv 413 |
�
Drop-in
conferences for Cultural Reflection Essays�my office during regular
office hours and class time. No regular class meeting today. |
Th.
April 24
ML 412 |
v
Final
Draft of Cultural Reflection Essays due at the beginning of class.
�
Presentations
begin
�
Remember, part
of your grade for the presentation is audience participation�so be
there! |
Week
16 |
Tu. April
29
Harv 413 |
�
Presentations
continue |
Th.
May 1
ML 412 |
�
Presentations
finish
�
Begin
preparation for the final exam
�
Collaborative
work on selected review questions for final exam
�
Buy final
exam packet at
bookstore and read thoroughly for class today
�
SG: Read pp.
403-411: �Writing Essay Exams,� and pp. 417-419: �Sample Question and
Essay for 102/8.� |
Week
17 |
Tu.
May 6
Harv 413 |
�
Last day of
class for our course
�
Preparation for
the final exam- student presentation of review questions
�
J: Bring the
answer you created for the question you were assigned and copies for
the rest of class. |
Wed. May 7 |
�
Last day
of classes for the university |
Fri. May
9 |
v
Final Exam
for English courses-
location to be announced. |
|
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